Essential Video Editing Tips for Beginners

The techniques used by video editors address the media and know that people know a lot about how to understand meaning in the world. Using the same raw film material, two different editors can create two completely different videos. But a good editor must always use this knowledge to create compelling stories, regardless of how people think and feel. Also, while the Publisher’s chosen style can greatly reflect the type of project.  He works in, there are several approaches that generally work well in all scenarios. Here are nine great suggestions for adding a video editing toolkit.

1. Tight cut

Any video that does a lot of things will benefit from an editor who knows how to cut tight. To tease the cutting scenes means taking unnecessary stagnation, using timely erosion to close the gaps between dialogue, or even all together to lose lines of dialogue. Most projects will also have an estimated time that needs to be taken into consideration and efficient cuts that can compress the time, will save you back and re -working scenes if you find that editing has long been running.

2. The best angle to tell the story

Always let the camera work or perform what shots you use in your last video. However, the importance placed on each of these aspects will probably depend on the type of project you are working. For a scripted feature or documentary, the varna related to the overall story is paramount. For example, editors who work on these projects, sometimes have to leave beautiful shots or whole scenes on the floor of the cutting room, as they do not add anything to the overall story. On the other hand, when an interview or news story is edited, your goal is usually to balance the desired message of the speakers with the expectations of the audience. When choosing footage for this type of project, it helps to think about what you want to see or see while listening to the audio. Using this method to choose camera angles and clips also helps the speakers to tell their story.

3. Use wide shots

At the beginning of a scene, it is usually necessary to cut between various camera angles, so the audience is aware of the setting in which it is happening. However, once the scene is referred to and the dialogue begins, the medium and close-up shot is the most important for the audience. The argument behind this practice is clear when you believe that it is almost always more captivating to see the facial expressions and gestures of a speaker because they talk closely rather than far.

4. Pay attention to speaker body language

On camera, the speaker can reveal a lot through his body language. In addition, all have a unique ingestion and rhythm for their voice. If you pay attention to body language and raise subtle signals in a person’s way of speaking, it can provide a natural tempo to your editing that the audience will feel comfortable. When the acclaimed film editor, Walter Merchas, was biting the 1974 film The Conversation, he found that almost every time he chose to make the cut, the Jean Hackman’s character would take a nap to almost that accurate point. Over time, he continued to examine the notion until he reached the conclusion that a person would often nap every time or he has a new idea or feeling.

5. Edit mistakes

Even though editing technical and speaking errors is all part of the editing job, if you can learn to do it with cleverness, you will be praised in the world of valuable and post-production. A method often used to edit mistakes is to cut on action. This technique involves cutting from one shot to another, which is from a different angle and takes separately that leaves the mistake. Cutting on action gives the audience a constant imprint when they are watching the edited film, even if the shots used for the scene in the final cut could have been shot separately.

6. Use B-Rol Shots in a set of three

If a scene requires a cut -out inserts, it seems right to use three in a row. If each B-Rol clip you use is about 1.5 to 2 seconds tall, then anything less than three clips seems to be very low, while anything more than three seems unnecessary. An example where B-Rol shots are often used when a character enters a room and looks around. In this case, three points-off-view inserts can be used to give the audience a good idea of ​​the landscape that has faced the character. This approach also seems natural for the audience because it mimics as we experience the real world because we go through our surroundings.

7. Use partition editing

The 50s television series dragnet used a very direct approach to editing. Whenever the characters were interacting on-screen, a simple formula was put in the game that went into something like this: actor A-actor a delivery line; Cut actor B – Actor B delivers Line; Actor A and so on, cut back. Walter Merchas referred to it as a dragnet-style of editing and it is usually employed only by novice editors. A more compelling style of editing involves the use of partition editing, also known as L-cut or J-cut. A division editing occurs when the change in the picture does not occur when the change is sound. This technique is often the artistic value or flow of a film.

8. Keep proper pacing

When working on projects, video editors form a flow or tempo depending on their deduction time. The way a song proceeds with a rhythm from beginning to end, which carries it forward through various music classes, editors need to determine their cut speed for a given scene or section so that it matches the desired tone and energy that they want to install. If any editing is very fast, the audience may not have time to absorb and process important information for the story. Conversely, if any editing is very slow, the audience can get bored very quickly – a fast relevant point for editors making web videos. Even if all editing is a simple interview, using B-Rol footage suitable to switch between several camera angles and/or to cover the squares of the talk can make the video more dynamic and interesting than using a single lock-off shot of two people.

9. Give some breathing room to your editing

After spending a lot of time in working on the same project, editor can be desensitized for materials. By taking a break for a while and returning with fresh eyes, you can help you maintain your audience perspective that will help you to put the best editing decisions.